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Asia Arts Awards Hong Kong is a signature gala celebration honoring the Asia Arts Game Changers during the week of Art Basel in Hong Kong. Major art collectors, artists, gallerists, dignitaries from the art world, and Asia Society trustees and patrons will gather to celebrate the contemporary arts in Asia and honor artists and arts professionals for their significant contributions. For more than twenty years, Asia Society has been a pioneer in identifying and fostering the latest contemporary Asian artists and engaging new audiences for their work. Past honorees include Cai Guo-Qiang, Bharti Kher, Lee Ufan, Liu Guosong, Nalini Malani, Nyoman Masriadi, Takashi Murakami, Yoshitomo Nara, Shahzia Sikander, Do Ho Suh, Wucius Wong, Xu Bing, Zeng Fanzhi, and Zhang Xiaogang. Asia Arts Awards Hong Kong March 23, 2017 Venue JW Marriott Hotel Hong Kong 600 pm Cocktail Reception and Auction Artwork Viewing 800 pm Award Ceremony, Dinner and Auction Join the Auction! The auction component of the 2017 Asia Arts Awards Hong Kong features works by artists Cai Guo-Qiang, Eko Nugroho, Do Ho Suh, Sun Xun, Mika Tajima, Natee Utarit, Xu Bing and Yang Fudong, among others. The artworks were on view at JW Marriott Hong Kong on Thursday, March 23, 2017 at 600 pm by invitation only. All proceeds from Asia Arts Awards Hong Kong support Asia Society Arts and Culture initiatives worldwide. Asia Society’s Asia Arts Awards Hong Kong is co-organized by Asia Society Museum, New York, and Asia Society Hong Kong Center. Honorees Hon Chi Fun Hon Chi Fun is one of Hong Kong’s most respected visual artists, best known for his abstract paintings and serigraphic prints that reflect his interest in Taoism and phenomenology through the expression of circles. In 1958, he co-founded the Modern Literature and Art Association to promote local public interest in literature and art. He was among the first in Hong Kong to be awarded a Fellowship by John D. Rockefeller 3rd Foundation in 1968. Hon’s works have been exhibited extensively in Hong Kong and overseas, including at solo exhibitions at the Hong Kong Museum of Art 2005 and the University Museum and Art Gallery of the University of Hong Kong 1988. In 2013, he received the Medal of Honour from the Hong Kong SAR government in recognition of his outstanding artistic achievements. Kimsooja Kimsooja is an internationally acclaimed multimedia artist whose videos, installations and performances poignantly address issues relating to culture, politics, history and identity, especially with regard to the displaced self. The artist’s conceptual, aesthetic and structural investigations of performance through immobility in her practice inverts the notion of the artist as the predominant actor. Her works have been exhibited internationally and featured in numerous solo and group exhibitions, including at the National Museum of Modern and Contemporary Art, Seoul 2016; Centre Pompidou-Metz 2015; Reina Sophia, Madrid 2006; MoMA PS1, New York 2001; 24th São Paulo Biennial 1998; the 48th, 49th, 51st and 52nd Venice Biennales. In 2013 she represented Korea at the 55th Venice Biennale. Rashid Rana Rashid Rana is known for his conceptual sculptures, videos, and photo composite collages that provocatively deconstruct social histories and cultural disjunctions to reflect the duality of our time. He has participated in major exhibitions including My East is Your West, a collateral event at the 56th Venice Biennale 2015; Mohatta Palace Museum, Karachi 2013; Cornerhouse, Manchester 2011; Asia Society Museum, New York 2009; and Musée Guimet, Paris 2010 among others. Rana was recently appointed artistic director of the 2017 Lahore Biennale. He is also the founding faculty member and current dean of the School of Visual Arts and Design at Beaconhouse National University in Lahore. Hiroshi Sugimoto Hiroshi Sugimoto’s singular practice spans the mediums of performing arts, photography, sculpture, installation and architecture. His art deals with history and temporal existence through a variety of subject matter issues surrounding time, empiricism and metaphysics that bridge Eastern and Western ideologies while examining the nature of time, perception, and the origins of consciousness. Sugimoto’s work has been presented in numerous international solo and group exhibitions among them The J. Paul Getty Museum 2014; 17th Biennale of Sydney 2010; Yokohama Triennale 2001; 3rd Biennale d’art contemporain de Lyon 1995; and Carnegie International 1991. The artist received the Order of Arts and Letters 2013 from the French government; the Praemium Imperiale Painting Award 2009 from the Japan Arts Association; and the Hasselblad Foundation International Award in Photography 2001. Support LUMINARIES Ming Wai Lau VISIONARIES Barbara and Ronnie Chan Ming Liu and Guoqing Chen Betsy and Ed Cohen DBS Bank Hong Kong Limited Kukje Gallery Mr. & Mrs. Robert W. Miller Denise and Andrew Saul Mr. Rusy M. Shroff, BBS, MBE, and Mrs. Purviz R. Shroff Jack and Susy Wadsworth Lulu and Anthony Wang CORPORATE PARTNER AUCTION PARTNER ART LOGISTICS PARTNER Bandung March 2018; IEOM 2017 Bogota Marriott Hotel October 25-26, 2017. IEOM 2017 UK UWE Business School, Bristol July 24-25, 2017. IEOM 2017 Morocco Sofitel Hotel Rabat April 11-13, 2017. IEOM 2016 Detroit Lawrence Tech Campus September 23-25, 2016. IEOM 2016 Malaysia JW Marriott KL Hotel March 8-10, 2016. IEOM 2016 Detroit Lawrence Tech
An unknown man offered me a lewd yet god-fearing proposition in December 2018, eerily coincidental to the period when I was just beginning to construct the conceptual foundation of Good Boy, an unfinished, objects-based performance installation planned to be presented in the physical show of RCA 2020. The project expands my homoerotic vocabulary to unexplored terrains of pup play, BDSM and chemsex as I was also expanding and experimenting with my methods of performance-making to incorporate texts, minimalism and abstraction. Good Boy’s production, unfortunately, had to be put on hold due to the current pandemic and I have yet to find a suitable method of presentation that fits into the screen-based, online exposition that gives justice to the physically focused piece. I’ll be a Good Boy is hence, a tangent project of the aforementioned. I revisit a material that has only been referential, the messages themselves. They have been dissected and rearranged into a soliloquy that may resemble a prayer with two distinct segments, made clear by the language shift from Indonesian to English. The work will be sent directly to the audience’s mobile device through WhatsApp, the exact application where I received them. Accompanying the 49-lines, sometimes one-phrase messages would be a digital photograph, taken from my mobile phone that has never left their intended platform for any editing. Hence the work will and should never leave the digital platform but to remain within the mobile device which could function as its pedestal. I’ll be a Good Boy is an invitation to dominate as well as a request to submit. Borrowing the situation of sexting, which could be abusive and non-consensual, it is also a reflection of online sexual trolling that may be borderline harassment that blurs and questions the extent of private, anonymous space of homoerotic sub-culture. A demonstration of a possible reading to perform the text will be held daily at BST from 14-31 July through my Instagram live kelvinatmadibrata. The work comes in an edition of 100+1AP, specifically made for the presentation platform of RCA 2020. The work is free of charge and accompanied by a digital certificate of authenticity but its availability is on a first-come-first-served basis. To request an edition, please text “I’ll be a Good Boy” to +44 7999 905 913 through WhatsApp and the work will be sent as a reply to that text. Note to audience+ Due to the high volume of messages you will receive 49 text messages and 1 digital photograph, it is recommended to mute notifications from +44 7999 905 913. + There is no specific time when the work will be sent neither can you request for a specific time to receive the texts. + If you do not receive any replies from +44 7999 905 913 after twenty-four hours means that all available editions have been redeemed. + Your mobile numbers will not be saved neither will it be used for any purposes other than to deliver the artwork. + The number +44 7999 905 913 will only operate from 14-31 July 2020 and will cease operation shortly after the end of RCA 2020. I'll be a Good BoyMedium WhatsApp messages and photograph taken with iPhone8 cameraSize 49 bi-lingual text messages and image, edition of 100+1AP
Hi everyone! @syarikat_idola_remaja will be performing life in the upcoming: Ceremony & Awarding Night of The Sixth Bandung Contemporary Art Award (BaCAA) - Friday, 27th September 2019 Starts from
Cite this Email this Add to favourites Download formats Catalogue Persistent Identifier APA Citation ArtSociates Organization. 2011. Bandung contemporary art awards BaCAA. Bandung ArtSociates MLA Citation ArtSociates Organization. Bandung contemporary art awards BaCAA ArtSociates Bandung 2011 Australian/Harvard Citation ArtSociates Organization. 2011, Bandung contemporary art awards BaCAA ArtSociates Bandung Wikipedia Citation {{Citation title=Bandung contemporary art awards BaCAA author1=ArtSociates Organization year=2011 publisher=ArtSociates language=Indonesian }} You must be logged in to Tag Records Bandung contemporary art awards BaCAA Bib ID 5154359 Format Book Description Bandung ArtSociates, 2011 155 p. col. ill. ; 30 cm. ISBN 9786029620122 Notes Indonesian and English. Subjects Arts, Indonesian. Art - Awards - Indonesia. Other authors/contributors ArtSociates Organization Get this Comments 0 Librarian's View Copyright Status Online In the Library Request this item to view in the Library's reading rooms using your library card. To learn more about how to request items watch this short online video . Order a copy
AminaHospital. Best Hospital Brand. United Kingdom. Royal Berkshire NHS Foundation Trust. Most Advanced Hospital Brand. United Kingdom. Guy's and St. Thomas NHS Foundation Trust. Most Innovative Healthcare Brand. United States of America. Bandung - Deni Ramdani berhasil menjadi jawara Bandung Contemporary Art Awards BCAA ke-5. Melalui karyanya bertajuk '0 Drajat', Dedi berhasil mengungguli 14 finalis seniman yang terlibat di tahun untuk seniman-seniman kontemporer ini berlangsung di Lawangwang Space Art, Jalan Dago Giri, Kabupaten Bandung Barat, Kamis 5/10/2017 malam. Deni berhasil mengantongi hadiah Rp 100 seni kontemporer milik Deni sangat simpel namun mengandung pesan mendalam. Deni memperlihatkan sebuah kantong plastik besar yang menggantung berisikan air dan sekumpulan yang berada di dalam kantong bening itu perlahan-lahan terus menetes seolah-olah akan habis. Otomatis gerombolan ikan yang ada di dalamnya ikut mati. Ikan-ikan yang ada dalam kantong itu diibaratkan pada bagian bawah kantong yang bocor itu, terdapat gundukan pasir menyerupai kawasan pegunungan. Deni menganalogikan gundukan pasir itu sebagai rupa bumi tempatnya tinggal."Judulnya 0 drajat kalau di kompas itu menunjukkan arah mata angin, artinya ke utara. Di mana Bandung Utara itu tempat saya dilahirkan dan tinggal saat ini," ungkap Deni usai menerima 'O Drajat' ini merupakan akumulasi dari semua karyanya sejak tahun 2009 silam. Sebagian besar karyanya memang fokus terhadap kritikan terhadap kerusakan lingkungan khususnya di Bandung karya 'O Drajat', ia ingin menunjukkan ikan yang ada di kantong itu bisa mati apabila airnya habis. Begitu juga keluarga dan masyarakat di sekitarnya bisa tersingkirkan dengan laju pembangunan di Bandung Utara."Sebagian besar masyarakat di sana tidak menyadari kerusakan alam itu. Lewat karya ini saya ingin mengingatkan itu. Bisa dibilang ini karya akumulasi saya selama ini, hanya saja disampaikan lebih santun," ungkap seorang juri Wiyu Wahono mengungkapkan alasannya memilih Deni menjadi pemenang pada helatan BCAA 2017. Ia melihat karya Deni punya pesan mendalam yang sifatnya kekinian yakni berpendapat karya Deni punya keunikan tersendiri lantaran sangat sederhana dan mudah dipahami oleh orang awam. Memperlihatkan semua ketegangan manusia terhadap kerusakan alam."Karya Deni konteksnya urbanisasi yang merupakan persoalan dunia sekarang. Sangat penting dan belum dieksplorasi lewat karya seni kontemporer. Pesannya lebih kencang daripada BCAA 2017, juara 2 ditempati oleh Cynthia Delaney Suwito dengan karyanya Holding Breath. Sementara diposisi ketiga ada Etza Meisyara dengan karya bertajuk How Does it feel? to be refuges. dal/dal
BIOGRAPHY Clarissa Ai Ling Lee is an artscience creator/researcher. She is equally interested in creative and academically rigorous interventions when it comes to interdisciplinary and transdisciplinary collaborations. Prior to starting her PhD, she had spent 6 years working in industry as well as in non-academic research while also pursuing

Iaadalah salah satu pendiri Guernica: A Magazine of Art and Politics, yang membuatnya mendapatkan penghargaan PEN/Nora Magid Award (2017). Ia juga mengajar di Fordham University, Cooper Union, John Jay College, dan Writer's Foundry MFA program di St. Joseph's College. Tulisan-tulisannya dimuat dalam sejumlah media, seperti The New York

SIENAInternational Photo Awards 2017 - Finalist. 2nd Lion City International Salon 2017. The Indonesian Contemporary Exhibition. Gyeongnam Art Museum (curator giminha), the following 19 January to 18 April 2012 The exhibition (Bromo) and located in the south of Bandung (Ciwidey) traveled to Indonesia and the majestic mountain scene 93wkTn.
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